Self-Generated Theater Lab

Application Deadline Extended to April 20th, 2026

“Training the Actor Warrior to Create and Produce Original Work”

The Self-Generated Theater Lab is intended for a new generation of theater artists who yearn to upend tradition and generate new work and new ways of working founded by their own creativity. All participants will be led through the creation of one-person and ensemble-based theater for which the raw materials emerge from the imagination of the generating artist or artists. It offers proactive and effective techniques for creating theater work, both solo and ensemble-based that will facilitate creative power and a distinct understanding of what it means to be a creative theater artist.

Classes include developing the heart and methodologies of an ensemble; solo performance; physically sourced work, the business of theater and self-producing, developing an audience and how to raise funds. Lead by director John Gould Rubin, this is a five-week course with classes 16 hours per week and outreach to theater in unusual communities.

About the Self-Generated Theater Lab:

SUCCESS STORY from SGT alum Danielle Baynes:

Adelaide Fringe Article

Stella Adler on Creating Your Own Theater:

Class Descriptions & Faculty

Nilaja Sun headshot

Join Obie award winning actor, playwright and solo performer Nilaja Sun for Solo Performance. Actors will learn a variety of playwriting techniques to help craft their own unique stand out solo pieces as well as learn physical, vocal and facial skills used in conveying a captivating one person show. Solo performers will then devise and perform their own solo masterpieces in class, inspired by their lives and the people who have become characters in them. Throughout the course, Sun will also guide actors in the business of solo performance and theatre making.

 

 

Bill Bowers headshotLed by renowned performance artist and mime Bill Bowers, this course serves to strengthen and relax the actor’s body, expand the actor’s movement vocabulary and open up their physical imagination, while introducing multiple approaches to creating new physically based theater work.

 

John Gould Rubin headshotThe alternative to conventional theatrical creation is Devising, creating theater without a pre-written play. We will explore the sources of inspiration, their transformation into performance sequences, working collaboratively in a non-narrative driven pursuit and the spirit of ensemble derived work.

 

Chuk Obasi headshot

What does innovation look like for the modern artist? How does the world that we live in today shape our creative impulses? How can theatre makers – actors, writers, directors, designers, producers, etc. – thrive at the intersection of limitless creativity and ethical sensibility?

In this interactive course, we will explore in real time while discoursing on the future of American theatre.

 

 

In this course, we will explore how immersive theatre creates personal, grounded human connection that brings your audience with you into the here and now. We’ll discuss the evolving immersive theatre industry, delve into the psychology behind immersivity, and play with devising methods, so you walk away able to craft truly immersive experiences within any project, on any budget.

Suzy PetchEam headshotThe Artistic Life Skills (Arts Justice Field Work Workshop) class creates an opportunity for established actors to practice the craft of acting in a non-traditional theater environment with first time actors.  Together we will explore how the spirit of ensemble, improvisation and storytelling can foster creativity and self-efficacy.  In this class, we foster a safe and healing space where authentic stories can be generated.

 

 

John Gould Rubin headshot

Artists who know how to use the business side of theater to their advantage are artists with an advantage. They can produce their work. We will address the difference between commercial and not-for-profit work, budgets, contracts, how to raise money and the fundamentals of the business of theater, with the goal that artists can emerge from the class prepared to self-produce.

 

Classes:

The One Person Show (4 hours)
Physical Theater (4 hours)
Devising and Producing Theater (4 hours)
Ethical Risk Taking for Theater Artists (4 hours)

Supplemental Workshops:

NEW: Immersive Theatre
Arts Justice Field Work Workshop
Business of Theater Supplemental Workshops
Devising Rehearsals and Showings

*courses and faculty subject to change

Admission Information

Admission to the Self-Generated Theater Lab is by entrance interview with John Gould Rubin. Applicants must be 18 years of age or older.

Applicant must submit the following:

  1. A completed Online Application Form
  2. Headshot (Photo) and Resume
  3. A $50 non-refundable application fee (payable to Stella Adler Studio of Acting)

Application Deadline Extended to April 20th, 2026

APPLY ONLINE!

COVID-19 Policy: Please visit the studio’s Health & Safety Policy on the Policies page for the latest updates, policies and list of measures the studio has taken to protect the community against COVID-19.